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GRADED READERS

 

 

 

Sometimes called graded readers, sometimes called simplified novels or simplified classics, sometimes called guided readers, sometimes called adapted readers.  Universally accepted classic novels, as well as popular and intriguing recent short stories.  With a vocabulary as few as 300 words and as many as 5000, they allow readers to enjoy stories at their own level.  Most come with a teachers manual, activity book, CD, cassettes, or some combination, but getting your hands on these aids can be a chore.  They can be used to teach reading, listening, literature, drama, and sometimes culture.  They are available from several publishers.  Oxford, Penguin, Longman, York, Heinemann, Nelson, MacMillan, Baronet, Express, and MM, to name a few.

 

 

 

Hienemann information about its Elementary Level readers provides some insight into the adaption process:

 

" Information Control:  Stories have straightforward plots and a restricted number of main characters.  Information which is vital to the understanding of the story is clearly presented and repeated when necessary.  Difficult allusion and metaphor are avoided and cultural backgrounds are made explicit.

 

Structure Control:  Students will meet those grammatical features which they have already been taught in their elementary course of studies.  Other grammatical features occasionally occur with which the students may not be so familiar, but their use is made clear through context and reinforcement.  This ensures that the reading as well as being enjoyable provides a continual learning situation for the students.  Sentences are kept short  -  a maximum of two clauses in nearly all cases  -  and within sentences there is a balanced use of simple adverbial and adjectival phrases.  Great care is taken with pronoun reference. 

 

Vocabulary Control:  At Elementary Level there is a limited use of a carefully controlled vocabulary of approximately 1,100 basic words.  At the same time, students are given some opportunity to meet new or unfamiliar words in contexts where their meaning is obvious.  The meaning of words introduced in this way is reinforced by repetition.  Help is also given to the students in the form of vivid illustrations which are closely related to the text. "

 

 

 

From the Scholastic website:

 

" What Is a Leveled Book Collection?

A leveled book collection is a large set of books organized in levels of difficulty from the easy books that an emergent reader might begin to the longer, complex books that advanced readers will select. In some schools, the collection is housed in a central area. There are multiple copies of many books. There might be ten levels for grades K0131 and three or four levels for each later grade.

A leveled book set has several advantages, including the following:

  • An organized set of books makes it easier to select books for groups of children.
  • Having a gradient of text provides a way to assess children's progress over time.
  • A book collection is established that does not need to be replaced but is revised and expanded over time.
  • As the collection expands, the varieties of text will provide opportunities for children to increase their reading power through experiencing diverse texts.

It is also crucial to provide variety within each level. Readers who experience only one kind of book may develop a narrow range of strategies for processing text. Instead, we want young readers to use their skills in a flexible way for many different purposes.

A leveled collection may be constructed simply by gathering a large set of books and working with colleagues to evaluate the texts. Using your experiences in teaching children, you will find that you can place books along a continuum of difficulty. Of course, your initial rankings should be tested with children over a period of time. Gradually, categories will become more stable. Many groups of teachers have worked with their collections over several years, periodically coming together to discuss books, revise levels, and add new books. As you discuss books, you will discover that you are also talking about the children and their reading behavior. You will be getting to know both the books and the readers.

Some Criteria for Leveling Books

No single aspect or characteristic of text can be used to evaluate reading material. In placing a text along a gradient of difficulty, many factors are considered.

  • Length  -  Consider the number of pages, the number of words, and the number of lines on the page. Books for beginners will have just one or two lines on a page.
  • Layout  -  Beginners need texts with a large font and clear spaces between words and lines. Sentences begin on the left and print is clearly separated from pictures. In more complex books, sentences begin in the middle of lines or are carried over onto the next page. Fonts become smaller.
  • Structure and Organization  -  Early books have simple plots and some repetition. Some books use repeating episodes or complex plots organized chronologically. As books become more challenging, more interpretation will be needed.
  • Illustrations  -  Easier books provide pictures to support the reader in gaining meaning and solving words. Picture support gradually decreases as you move up the gradient of difficulty.
  • Words  -  Beginning books use high-frequency words, text with regular spelling words, and content words reinforced by pictures. More challenging texts use multi-syllabic words and a wider range vocabulary to express meaning.
  • Phrases and Sentences  -  The gradient begins with very simple sentences and goes on to include longer, more complex sentences with embedded clauses.
  • Literary Features  -  Consider the complexity of the ideas. What must readers understand about the characters, setting, and plot to read this book with understanding? Literary features such as flashbacks or metaphors may introduce a challenge.
  • Content and Theme  -  Books for young children will focus on topics and themes that are familiar to them. Complexity gradually increases to ideas and topics that children would not experience in everyday lives. Some sophisticated themes require maturity for understanding and may mean that a book is more challenging, even if other factors make it seem easy. "

 

The Black Cat Guide to Graded Readers, by Robert Hill, explains the differences between extensive reading and intensive reading:

 

"ELT methodology distinguishes two different kinds of reading, which are often presented as opposites:  extensive and intensive reading.

 

EXTENSIVE READING means reading in quantity and in order to gain a general understanding of what is read.  It is intended to develop good reading habits, such as reading without worrying about every single detail, and to encourage taking pleasure in reading.  Vocabulary and structures, although not consciously studied, are unconsciously acquired through high exposure to language.  In short, it is intended to resemble reading for pleasure or information in the mother tongue.

 

INTENSIVE READING is generally done at a slower speed with short passages, and requires a higher degree of understanding than extensive reading.  It is task driven:  the passage is generally accompanied by comprehension questions intended to develop reading subskills and/or accompanied by language activities focused on vocabulary and structure.

 

The following comparison sets out the differences in reading styles and methodology:

 

Extensive reading:  The main aim is fluency in reading.
Intensive reading:  The main aim is accuracy in reading.

 

Extensive reading:  Long texts  -  complete books, stories, articles.
Intensive reading:  Short texts, generally extracts from longer texts, from one paragraph to a maximum of 2 or 3 pages.

 

Extensive reading:  Quick, unrepetitive reading.  It does not involve going back over the text.
Intensive reading:  It usually involves going back and rereading some points in the text.

 

Extensive reading:  No comprehension questions after reading.
Intensive reading:  Comprehension questions after reading.

 

Extensive reading:  The reader should not study lexical / structural aspects of the text.
Intensive reading:  Probably followed by activities on lexical / structural aspects of the text.

 

Extensive reading:  Usually done outside class, alone, without the guidance of the teacher.
Intensive reading:  Mostly done in class, under the guidance of the teacher."

 

My favorite graded reader so far is Sunnyvista City, Oxford, by Peter Viney.  The plot and sentences flow smoother than any I've read.  Even with a vocabulary of only 1000 words, the actions and explanations are clear and succinct.  The dialog is simple but crisp.  There are enough characters to flesh out the story but not so many as to overwhelm us.  The mystery unfolds at just the right pace, not so slow as to lose our interest and not so fast as to lose our comprehension. 

Another favorite is Simon Decker and the Secret Formula, Express Publications, by Jenny Dooley.  Some day, this story is going to make a good movie.

 

The Missing Scientist, Oxford, by D.H. Howe, is an interesting and enjoyable story.  But the format corresponds to the detective assigned to the case:  slow, thorough, and methodical.  Much space is devoted to dry, tedious, detailed, and often unnecessary accounts of what the characters say, do, and think.  Almost all of this paragraph, for example, could be eliminated:  "She led them to the lift.  When they got to the fourth floor, she took them to a flat.  She unlocked the door and opened it, and then stood back to allow the detectives to enter the sitting room.  As soon as they were inside the flat, they saw that something was wrong."  This would be sufficient:  "When she took them to the flat, they immediately saw that something was wrong."  The plot is standard operating procedure.  Key events are not fully exploited for dramatic effect.  Even the pronouns are generic.  All of this might be wearisome to native readers, but is to the advantage of ESL readers, who might not have the same exposure and practice..  So if you're a native reader, forgive the drudgery.  And if you're an ESL reader, expect a workout.

 

The most challenging I've read so far is I, Robot, Oxford, by Isaac Asimov, one of the most ingenious and prolific writers of all time.  In I, Robot, the people who design and work with robots deal with one major, unexpected crisis after another.  Applying the 3 laws of robotics, robot pschology, logic, and detective work, they must outwit their creations  -  and they don't always succeed.

 

Jojo's Story, Cambridege, by Antoinette Moses, is the story of a orphan refugee, told simply but vividly through the eyes of a 10 year old boy.  Frightened, he does little more than hide, convinced that the soldiers who annihilated his family and village are on the verge of returning.  Soldiers arrive, but they are wearing blue hats.  Reluctantly, he bids farewell to his deceased family and the only home he has every known.  The foreign soldiers take him to an orphanage.  He is befriended by Chris, a British photographer, and Dr. Nicky, the orphanage physician from Doctors Without Borders.  His parents warned him about "the people on the other side of the river."  But not until he sees the handiwork of these people does he begin to realize how evil and dangerous his fellow man can be.  Painfully, he compares the happiness and activity of his farm and village before the battle with the stillness, destruction, and smell of death after "the people on the other side of the river" have left.  He also describes the deep psychological wounds of the other children at the orphanage.  He relates the relentless horror of the war as it gets closer and closer, to the very yard of the orphanage.  He takes the UN to task for seemingly not pursuing its stated mission.  He also wants to know why Chris would want to tell the stories of children on the other side of the river, and why Nicky would want to treat them.  He compares the condition, clothes, and weapons of the UN soldiers  -  there strictly to provide humanitarian aid and forbidden to fire unless fired upon  -  with those of his battleworn countrymen.  When soldiers of Jojo's country arrive at the orphanage, the plot takes a heartbreaking turn, followed by a disturbing surprise ending.  The author gives Jojo a consistently simplistic and limited perspective, often with humorous results.  This is a risky technique, but in this case, it's very effective.  Jojo's Story is testimony, not commentary.  There are no monologs, no philosophying.  The world is viewed through the eyes of the story's most important and most vulnerable character.  Readers are left to draw their own conclusions.  This strategy is also effective.  Many times I've had to read a review to understand a story because it is sophisticated or so subtle.  By contrast, the implications of Jojo's Story are immediately recognizable.  We never learn Jojo's nationality, not even his region.  Nor are we offered geographic names or family names.  Jojo represents a multitude of children all over the world and all through history.  This is a powerful, timeless story with universal lessons. It's hard to imagine how the orphan refugee story could be told better.  I wouldn't change one word.  I say this without exaggeration or hesitation:  Jojo's Story is destined to become a classic.  Winner of the 2004 Extensive Reading Foundation award, it deserves both the Pulitzer and Noble prizes.  It is one of the best and most important books of all time, and belongs in every literature, reading, and English classroom in the world  -  indefinitely.

 

 

PENGUIN READERS:

 

What a selection!!! The catalog cover sums it up:  "Something for everyone!"  Whereas Oxford offers more classics, Penguin offers more current titles.  And Penguin has several important classics Oxford does not.  Many Penguin Readers are also popular movies, including several by John Grisham.  The catalog includes an extensive table of Penguin's progressive vocabulary and grammar system.  Free teacher's guides.  Free tests.  Free answer keys.  Free photocopiable resource books.  Free photocopiable worksheets.  Free factsheets.  Online monthly dossier newsletter.

 

Recommended Penguin Readers:

 

Level 1  -  300 words

The Adventures of Tom Sawyer  -  Mark Twain

The Battle of Newton Road  -  Leslie Dunkling

The Crown  -  M.R. James

Little Women  -  Louisa May Alcott

Amazon Rally  -  Eduardo Amos and Elisabeth Prescher

Twenty Thousand Leagues Under the Sea  -  Jules Verne

Brown Eyes  -  Paul Stewart

Marcel and the Shakespeare Letters Stephen Rabley

The Missing Coins  -  John Escott

Run for Your Life  -  Stephen Walker

The Wrong Man  -  Kris Anderson

  

Level 2  -  600 words

Alice in Wonderland  -  Lewis Carroll

The Call of the Wild  -  Jack London

Gentlemen Prefer Blondes  -  Anita Loos

The Jungle Book  -  Rudyard Kipling

Anne of Green Gables  -  Lucy Maude Montgomery

A Christmas Carol  -  Charles Dickens

Gulliver's Travels  -  Jonathan Swift

Kidnapped  -  Robert Louis Stevenson

Black Beauty  -  Anna Sewell

Heidi  -  Johanna Spyri

King Arthur and the Knights of the Round Table

The Last of the Mohicans  -  James Fenimore Cooper

The Mysterious Island  -  Jules Verne

The Prince and the Pauper  -  Mark Twain

Robinson Crusoe  -  Daniel Defoe

Of Mice and Men  -  John Steinbeck

The Railway Children  -  Edith Nesbit

Moonfleet  -  J.M. Falkner

Persuasion  -  Jane Austen

Robin Hood

Round the World in 80 Days  -  Jules Verne

The Scarlet Letter  -  Nathaniel Hawthorne

Treasure Island  -  Robert Louis Stevenson

White Fang  -  Jack London

The Secret Garden  -  Frances Hodgson Burnett

Tales from the Arabian Nights

The Voyages of Sinbad the Sailor

The Three Musketeers  -  Alexandre Dumas

Washington Square  -  Henry James

The Wind in the Willows  -  Kenneth Grahame

Three Short Stories of Sherlock Holmes  -  Sir Arthur Conan Doyle

The Cay  -  Theodore Taylor

The Story of the Treasure Seekers  -  Edith  Nesbit

Walkabout  -  James Vance Marshall

Apollo 13  -  Dina Anastasio

E.T.  -  William Kotzwinkle

The Lady in the Lake  -  Raymond Chandler

Dante's Peak  -  Dewey Gram

Jurassic Park  lll  -  Scott Ciencin

The Scorpion King  -  Max Allan Collins

Another World  -  Elaine O'Reilly

Wanted:  Anna Marker  -  Kris Anderson

Lost in New York  -  John Escott

Project Omega  -  Elaine O'Reilly

Don't Look Now  -  Daphne du Maurier

 

Level 3  -  1200 words

The Adventures of Huckleberry Finn  -  Mark Twain

The Count of Monte Christo  -  Alexander Dumas

The Hunchback of Notre Dame  -  Victor Hugo

David Copperfield  -  Charles Dickens

The Ideal Husband  -  Oscar Wilde

The Canterbury Tales  -  Geoffrey Chaucer

Frankenstein  -  Mary Shelley

Jane Eyre  -  Charlotte Bronte

The Pearl  -  John Steinbeck

Romeo and Juliet  -  William Shakespeare

Sherlock Holmes and the Mystery of Boscombe Pool  -  Sir Arthur Conan Doyle

A Midsummer Night's Dream  -  William Shakespeare

The Red Badge of Courage  -  Stephen Crane

A Scandal in Bohemia  -  Sir Arthur Conan Doyle

Silas Marner  -  George Eliot

The Return of Sherlock Holmes  -  Sir Arthur Conan Doyle

Sense and Sensibility  -  Jane Austen

The 39 Steps  -  John Buchan

Amistad  -  Joyce Annette Barnes

Forrest Gump  -  Winston Groom

Vanity Fair  -  William Thackeray

The Swiss Family Robinson  -  Johann Wyss

Braveheart  -  Randall Wallace

The Fugitive  -  J.M. Dillard

Notting Hill  -  Richard Curtis

The Chrysalids  -  John Wyndham

Brothers in Egypt  -  David Adler

My Fair Lady  -  Alan Jay Lerner

Madame Doubtfire  -  Anne Fine

Rain Man  -  Leonore Fleischer

The Yearling  -  Marjorie Kinnan Rawlings

The Climb  -  John Escott

Food for Thought  -  Pauline Francis

K's First Case  -  L. G. Alexander

The Boxers  -  Mary Tomalin

Photo of the Tall Man  -  Stephen Rabley

The Ring  -  Bernard Smith

Striker  -  Peter and Karen Viney

 

Level 4  -  1700 words

1984  -  George Orwell

Emma  -  Jane Austen

Gone with the Wind    Margaret Mitchell

Macbeth  -  William Shakespeare

The Go Between  -  L.P. Hartley

King Solomon's Mines  -  Sir H. Rider Haggard

Nicholas Nickleby  -  Charles Dickens

Oliver Twist  -  Charles Dickens

The Picture of Dorian Gray  -  Oscar Wilde

About a Boy  -  Nick Hornby

The Red Pony  -  John Steinbeck

As Time Goes By  -  Michael Walsh

Cinderella Man

The Day of the Jackal  -  Frederick Forsyth

Three Adventures of Sherlock Holmes  -  Sir Arthur Conan Doyle

Three Great Plays of Shakespeare

The Client  -  John Grisham

Dr. Stangelove  -  Peter George

The Lost World:  Jurassic Park  -  Michael Crichton

Love Actually  -  Richard Curtis

The Gladiator  -  Dewey Gram

On the Beach  -  Nevil Shute

Strangers on a Train  -  Patricia Highsmith

The Interpreter

The Street Lawyer  -  John Grisham

Detective Work  -  John Escott

 

Level 5  -  2300 words

The War of the Worlds  -  H.G. Wells

The Hound of the Baskervilles  -  Sir Arthur Conan Doyle

The Grapes of Wrath  -  John Steinbeck

The Invisible Man  -  H.G. Wells

The Phantom of the Opera  -  Gaston Leroux

The Great Gatsby  -  F. Scott Fitzgerald

Jane Eyre  -  Charlotte Bronte

Tales from Shakespeare  -  Charles and Mary Lamb

More Tales from Shakespeare  -  Charles and Mary Lamb

Pride and Prejudice  -  Jane Austen

The Prisoner of Zenda  -  Anthony Hope

Sherlock Holmes Short Stories -  Sir Arthur Conan Doyle

A Tale of Two Cities  -  Charles Dickens

Rebecca  -  Daphne du Maurier

Wuthering Heights  -  Emily Bronte

Round the World in 80 Days  -  Jules Verne

Dr. Zhivago  -  Boris Pasternak

L.A. Confidential  -  James Ellroy

The Citadel  -  A.J. Cronin

The Firm  -  John Grisham

The Brethren  -  John Grisham

Cold Mountain  -  Charles Frazier

Four Weddings and a Funeral  -  Richard Curtis

The Partner  -  John Grisham

A Time to Kill  -  John Grisham

The Pelican Brief  -  John Grisham

The Rainmaker  -  John Grisham

 

Level 6  -  3000 words

Anna Karenina  -  Leo Tolstoy

Les Miserables  -  Victor Hugo

Oliver Twist  -  Charles Dickens

Tom Jones  -  Henry Fielding

East of Eden  -  Madame Bovary

The Woman in White  -  Wilkie Collins

Great Expectations  -  Charles Dickens

Cry, the Beloved Country  -  Alan Paton

The Beach  -  Alex Garland

Brave New World  -  Aldous Huxley

The Chamber  -  John Grisham

I Know Why the Caged Bird Sings

Remains of the Day  -  Kazuo Ishiguro

Saving Private Ryan  -  Max Allan Collins

The Runaway Jury  -  John Grisham

Schindler's List  -  Thomas Keneally

The Thorn Birds  -  Colleen McCullough

 

Classic:

level 1:

The Adventures of Tom Sawyer  -  Mark Twain

Little Women  -  Louisa May Alcott

Twenty Thousand Leagues Under the Sea  -  Jules Verne

level 2:

Alice in Wonderland  -  Lewis Carroll

The Call of the Wild  -  Jack London

The Jungle Book  -  Rudyard Kipling

Anne of Green Gables  -  Lucy Maude Montgomery

A Christmas Carol  -  Charles Dickens

Gulliver's Travels  -  Jonathan Swift

Kidnapped  -  Robert Louis Stevenson

Black Beauty  -  Anna Sewell

Heidi  -  Johanna Spyri

King Arthur and the Knights of the Round Table

The Last of the Mohicans  -  James Fenimore Cooper

The Mysterious Island  -  Jules Verne

The Prince and the Pauper  -  Mark Twain

Robinson Crusoe  -  Daniel Defoe

Of Mice and Men  -  John Steinbeck

The Railway Children  -  Edith Nesbit

Persuasion  -  Jane Austen

Robin Hood

Round the World in 80 Days  -  Jules Verne

The Scarlet Letter  -  Nathaniel Hawthorne

Treasure Island  -  Robert Louis Stevenson

White Fang  -  Jack London

The Secret Garden  -  Frances Hodgson Burnett

Tales from the Arabian Nights

The Voyages of Sinbad the Sailor

The Three Musketeers  -  Alexandre Dumas

Washington Square  -  Henry James

The Wind in the Willows  -  Kenneth Grahame

level 3:

The Adventures of Huckleberry Finn  -  Mark Twain

The Count of Monte Christo  -  Alexander Dumas

The Hunchback of Notre Dame  -  Victor Hugo

David Copperfield  -  Charles Dickens

The Ideal Husband  -  Oscar Wilde

The Canterbury Tales  -  Geoffrey Chaucer

Frankenstein  -  Mary Shelley

Jane Eyre  -  Charlotte Bronte

The Pearl  -  John Steinbeck

Romeo and Juliet  -  William Shakespeare

A Midsummer Night's Dream  -  William Shakespeare

The Red Badge of Courage  -  Stephen Crane

Silas Marner  -  George Eliot

Sense and Sensibility  -  Jane Austen

Vanity Fair  -  William Thackeray

The Swiss Family Robinson  -  Johann Wyss

The Yearling  -  Marjorie Kinnan Rawlings

level 4:

1984  -  George Orwell

Emma  -  Jane Austen

Gone with the Wind    Margaret Mitchell

Macbeth  -  William Shakespeare

The Go Between  -  L.P. Hartley

King Solomon's Mines  -  Sir H. Rider Haggard

Nicholas Nickleby  -  Charles Dickens

Oliver Twist  -  Charles Dickens

The Picture of Dorian Gray  -  Oscar Wilde

The Red Pony  -  John Steinbeck

Three Great Plays of Shakespeare

level 5:

The War of the Worlds  -  H.G. Wells

The Grapes of Wrath  -  John Steinbeck

The Invisible Man  -  H.G. Wells

The Phantom of the Opera  -  Gaston Leroux

The Great Gatsby  -  F. Scott Fitzgerald

Jane Eyre  -  Charlotte Bronte

Tales from Shakespeare  -  Charles and Mary Lamb

More Tales from Shakespeare  -  Charles and Mary Lamb

Pride and Prejudice  -  Jane Austen

The Prisoner of Zenda  -  Anthony Hope

A Tale of Two Cities  -  Charles Dickens

Rebecca  -  Daphne du Maurier

Wuthering Heights  -  Emily Bronte

Round the World in 80 Days  -  Jules Verne

Dr. Zhivago  -  Boris Pasternak

level 6:

Anna Karenina  -  Leo Tolstoy

Les Miserables  -  Victor Hugo

Oliver Twist  -  Charles Dickens

Tom Jones  -  Henry Fielding

East of Eden  -  Madame Bovary

The Woman in White  -  Wilkie Collins

Great Expectations  -  Charles Dickens

Brave New World  -  Aldous Huxley

 

Movie:

level 2:

Gentlemen Prefer Blondes  -  Anita Loos

Apollo 13  -  Dina Anastasio

E.T.  -  William Kotzwinkle

Dante's Peak  -  Dewey Gram

Jurassic Park  lll  -  Scott Ciencin

The Scorpion King  -  Max Allan Collins

level 3:

The 39 Steps  -  John Buchan

Amistad  -  Joyce Annette Barnes

Forrest Gump  -  Winston Groom

Braveheart  -  Randall Wallace

The Fugitive  -  J.M. Dillard

Notting Hill  -  Richard Curtis

Brothers in Egypt  -  David Adler

My Fair Lady  -  Alan Jay Lerner

Madame Doubtfire  -  Anne Fine

Rain Man  -  Leonore Fleischer

level 4:

About a Boy  -  Nick Hornby

As Time Goes By  -  Michael Walsh

Cinderella Man

The Day of the Jackal  -  Frederick Forsyth

The Lost World:  Jurassic Park  -  Michael Crichton

Love Actually  -  Richard Curtis

The Gladiator  -  Dewey Gram

Strangers on a Train  -  Patricia Highsmith

The Interpreter

level 5:

L.A. Confidential  -  James Ellroy

Four Weddings and a Funeral  -  Richard Curtis

The Beach  -  Alex Garland

Remains of the Day  -  Kazuo Ishiguro

Saving Private Ryan  -  Max Allan Collins

Schindler's List  -  Thomas Keneally

The Thorn Birds  -  Colleen McCullough

 

Sherlock Holmes:

level 2:

Three Short Stories of Sherlock Holmes  -  Sir Arthur Conan Doyle

level 3:

Sherlock Holmes and the Mystery of Boscombe Pool  -  Sir Arthur Conan Doyle

A Scandal in Bohemia  -  Sir Arthur Conan Doyle

The Return of Sherlock Holmes  -  Sir Arthur Conan Doyle

level 4:

Three Adventures of Sherlock Holmes  -  Sir Arthur Conan Doyle

level 5:

The Hound of the Baskervilles  -  Sir Arthur Conan Doyle

Sherlock Holmes Short Stories -  Sir Arthur Conan Doyle

 

Shakespeare:

level 3:

Romeo and Juliet  -  William Shakespeare

A Midsummer Night's Dream  -  William Shakespeare

level 4:

Macbeth  -  William Shakespeare

Three Great Plays of Shakespeare

 

John Grisham:

level 4:

The Client  -  John Grisham

The Street Lawyer  -  John Grisham

level 5:

The Firm  -  John Grisham

The Brethren  -  John Grisham

The Partner  -  John Grisham

A Time to Kill  -  John Grisham

The Pelican Brief  -  John Grisham

The Rainmaker  -  John Grisham

level 6:

The Chamber  -  John Grisham

The Runaway Jury  -  John Grisham

 

Mystery/Detective:

level 1:

Brown Eyes  -  Paul Stewart

Marcel and the Shakespeare Letters Stephen Rabley

The Missing Coins  -  John Escott

Run for Your Life  -  Stephen Walker

The Wrong Man  -  Kris Anderson

level 2:

The Mysterious Island  -  Jules Verne

The Secret Garden  -  Frances Hodgson Burnett

Three Short Stories of Sherlock Holmes  -  Sir Arthur Conan Doyle

The Story of the Treasure Seekers  -  Edith  Nesbit

The Lady in the Lake  -  Raymond Chandler

Wanted:  Anna Marker  -  Kris Anderson

Project Omega  -  Elaine O'Reilly

Don't Look Now  -  Daphne du Maurier

level 3:

Sherlock Holmes and the Mystery of Boscombe Pool  -  Sir Arthur Conan Doyle

The Climb  -  John Escott

Food for Thought  -  Pauline Francis

K's First Case  -  L. G. Alexander

Photo of the Tall Man  -  Stephen Rabley

The Ring  -  Bernard Smith

Striker  -  Peter and Karen Viney

level 4:

The Day of the Jackal  -  Frederick Forsyth

The Client  -  John Grisham

Strangers on a Train  -  Patricia Highsmith

The Interpreter

The Street Lawyer  -  John Grisham

Detective Work  -  John Escott

level 5:

The Hound of the Baskervilles  -  Sir Arthur Conan Doyle

The Phantom of the Opera  -  Gaston Leroux

Sherlock Holmes Short Stories -  Sir Arthur Conan Doyle

L.A. Confidential  -  James Ellroy

The Firm  -  John Grisham

The Partner  -  John Grisham

The Pelican Brief  -  John Grisham

level 6:

The Woman in White  -  Wilkie Collins

 

Adventure:

level 1:

The Adventures of Tom Sawyer  -  Mark Twain

Amazon Rally  -  Eduardo Amos and Elisabeth Prescher

Twenty Thousand Leagues Under the Sea  -  Jules Verne

level 2:

Alice in Wonderland  -  Lewis Carroll

The Call of the Wild  -  Jack London

Gentlemen Prefer Blondes  -  Anita Loos

The Jungle Book  -  Rudyard Kipling

Gulliver's Travels  -  Jonathan Swift

Kidnapped  -  Robert Louis Stevenson

Black Beauty  -  Anna Sewell

The Last of the Mohicans  -  James Fenimore Cooper

The Mysterious Island  -  Jules Verne

The Prince and the Pauper  -  Mark Twain

Robinson Crusoe  -  Daniel Defoe

Moonfleet  -  J.M. Falkner

Robin Hood

Round the World in 80 Days  -  Jules Verne

Treasure Island  -  Robert Louis Stevenson

White Fang  -  Jack London

Tales from the Arabian Nights

The Voyages of Sinbad the Sailor

The Three Musketeers  -  Alexandre Dumas

The Wind in the Willows  -  Kenneth Grahame

The Cay  -  Theodore Taylor

Walkabout  -  James Vance Marshall

E.T.  -  William Kotzwinkle

Dante's Peak  -  Dewey Gram

Jurassic Park  lll  -  Scott Ciencin

The Scorpion King  -  Max Allan Collins

Lost in New York  -  John Escott

level 3:

The Adventures of Huckleberry Finn  -  Mark Twain

The Count of Monte Christo  -  Alexander Dumas

The Canterbury Tales  -  Geoffrey Chaucer

The 39 Steps  -  John Buchan

The Swiss Family Robinson  -  Johann Wyss

Rain Man  -  Leonore Fleischer

The Yearling  -  Marjorie Kinnan Rawlings

level 4:

King Solomon's Mines  -  Sir H. Rider Haggard

The Red Pony  -  John Steinbeck

The Lost World:  Jurassic Park  -  Michael Crichton

level 5:

Round the World in 80 Days  -  Jules Verne

 

Science Fiction:

level 1:

Twenty Thousand Leagues Under the Sea  -  Jules Verne

level 2:

E.T.  -  William Kotzwinkle

Jurassic Park  lll  -  Scott Ciencin

Another World  -  Elaine O'Reilly

level 3:

Frankenstein  -  Mary Shelley

The Chrysalids  -  John Wyndham

level 4:

1984  -  George Orwell

The Lost World:  Jurassic Park  -  Michael Crichton

level 5:

The War of the Worlds  -  H.G. Wells

The Invisible Man  -  H.G. Wells

level 6:

Brave New World  -  Aldous Huxley

 

Romance:

level 1:

Gentlemen Prefer Blondes  -  Anita Loos

level 2:

The Last of the Mohicans  -  James Fenimore Cooper

Persuasion  -  Jane Austen

Washington Square  -  Henry James

level 3:

Jane Eyre  -  Charlotte Bronte

Romeo and Juliet  -  William Shakespeare

A Midsummer Night's Dream  -  William Shakespeare

Sense and Sensibility  -  Jane Austen

Forrest Gump  -  Winston Groom

Vanity Fair  -  William Thackeray

Notting Hill  -  Richard Curtis

level 4:

Emma  -  Jane Austen

Gone with the Wind    Margaret Mitchell

The Go Between  -  L.P. Hartley

As Time Goes By  -  Michael Walsh

level 5:

Jane Eyre  -  Charlotte Bronte

Pride and Prejudice  -  Jane Austen

Rebecca  -  Daphne du Maurier

Wuthering Heights  -  Emily Bronte

Dr. Zhivago  -  Boris Pasternak

level 6:

Anna Karenina  -  Leo Tolstoy

Great Expectations  -  Charles Dickens

The Thorn Birds  -  Colleen McCullough

 

Animal:

level 2

The Call of the Wild  -  Jack London

The Jungle Book  -  Rudyard Kipling

Black Beauty  -  Anna Sewell

White Fang  -  Jack London

The Wind in the Willows  -  Kenneth Grahame

Jurassic Park  lll  -  Scott Ciencin

level 3

The Yearling  -  Marjorie Kinnan Rawlings

The Lost World:  Jurassic Park  -  Michael Crichton

 

Political:

Alice in Wonderland  -  Lewis Carroll

Gulliver's Travels  -  Jonathan Swift

1984  -  George Orwell

Brave New World  -  Aldous Huxley

Dr. Stangelove  -  Peter George

On the Beach  -  Nevil Shute

The Grapes of Wrath  -  John Steinbeck

Cry, the Beloved Country  -  Alan Paton

A Tale of Two Cities  -  Charles Dickens

 

 

MACMILLAN:

 

Macmillan has sequels to classics:  Good Wives is the sequel to Little Women, Hawkeye the Pathfinder is the sequel to Last of the Mohicans, The Man in the Iron Mask is the sequel to The Three Musketeers.  Macmillan has a detective series, L.A. Detective, and a hometown series, Dawson Creek.  Macmillan has some hard to find African classics.  Things Fall Apart and No Longer at Ease, by Chinua Achebe, are about the effects of colonialism on Nigeria.  Weep Not Child, by James Ngugi, is about the effects of colonialism on Kenya and is set in the Mau Mau period.

 

My favorite of these three African classics is Weep Not Child.  The main character is told and is convinced that education will save him from the racial tensions and racial injustices that trouble Kenya.  He gets an education, often in spite of hardship.  But one by one the strongest members of his family are destroyed when native Kenyans decide to bring things to a head.  His father's enemy and that enemy's Kenyan assistant also become victims of violence.  The woman he loves and has known all his life walks away from him.  Earlier, a brother was killed when the British sent him to fight in World War Two.  Meanwhile, his father is alienated from a another brother, who considers his father a compromiser.  His family is driven off their land.  Only he and his father's two wives survive.  In the end, he does not have enough courage to complete a suicide attempt.

 

 

THOMSON:

 

Thomson has a new hometown series for low level readers:  Foundations Reading Library.  Of these, The Tickets has the most common scenarios and most universal themes.  Jimmy gives Jenny two tickets to The Bandits concert.  Jenny plans to give one of the tickets to her boyfriend and take him to the concert.  But Jenny's boyfriend doesn't like The Bandits.  Jenny's female friend Kerry loves The Bandits and pleads in vain for one of tickets.  Later, Jimmy notices the tickets in Kerry's purse.  I won't spoil the rest of the story for you.

 

I used The Tickets in the classroon.  First I played the CD.  Then I asked comprehension and sequence questions.  Then I told them to look at the pictures and asked them questions about the pictures.  Then I assigned a summary as homework.  Then I had them list the themes.  Then I had them identify every place in the story where someone is "very surprised."  While they rehearsed the sequence and listed the themes, I introduced new vocabulary.  Finally, I had them take turns reading the story aloud.  All of this over a period of 3 lessons.  The activities book and the lesson planner are both excellent.   I have used the activities book in the classroom.  The illustrations fit the story very well.

 

 

SCHOLASTIC:

 

Scholastic has a very scientifically designed series for younger students:  the Hello Readers series.  Each book targets a specific skill.  My favorite Hello Reader is The Popcorn Shop.  The story is fun, the rhyme and rythm are natural, and the surprise ending fits the rest of the story perfectly.  Another favorite is What's in the Box.  But I have so many favorite Hello Readers.  I hope to provide a list of titles, the plot, and the skills for each book.  I have used The Popcorn Shop and the tongue twister She Sells Sea Shells very successfully in the classroom.

  

 

CAMBRIDGE:

 

All Cambridge readers are modern originals by experienced authors written specifically for ESL learners.  No classics, no adaptations.  Over half are mystery/detective.  Since boys read less than girls, and since boys generally prefer the detective and adventure genres, this is good news.  About a third of the mystery/detective stories are private citizen turned detective, about a third are journalist turned detective, and a about a third are professional detective.  The Tangled Web, Double Cross, The Lahti File, and Parallel have the most interesting plots.  Female readers consume more romance fiction than males, and the Cambridge collection has a higher percentage of original romance stories than other collections.  To keep track of who's who, there is a list of names and identities at the front of the book.  Very little science fiction.  The catalog has no index.  Cambridge offers an online placement test to determine reader level.

 

 

By far the best human interest story in the Cambridge collection is Jojo's Story.  Jojo's Story is the story of a orphan refugee, told simply but vividly through the eyes of a 10 year old boy.  Frightened, he does little more than hide, convinced that the soldiers who annihilated his family and village are on the verge of returning.  Soldiers arrive, but they are wearing blue hats.  Reluctantly, he bids farewell to his deceased family and the only home he has every known.  The foreign soldiers take him to an orphanage.  He is befriended by Chris, a British photographer, and Dr. Nicky, the orphanage physician from Doctors Without Borders.  His parents warned him about "the people on the other side of the river."  But not until he sees the handiwork of these people does he begin to realize how evil and dangerous his fellow man can be.  Painfully, he compares the happiness and activity of his farm and village before the battle with the stillness, destruction, and smell of death after "the people on the other side of the river" have left.  He also describes the deep psychological wounds of the other children at the orphanage.  He relates the relentless horror of the war as it gets closer and closer, to the very yard of the orphanage.  He takes the UN to task for seemingly not pursuing its stated mission.  He also wants to know why Chris would want to tell the stories of children on the other side of the river, and why Nicky would want to treat them.  He compares the condition, clothes, and weapons of the UN soldiers  -  there strictly to provide humanitarian aid and forbidden to fire unless fired upon  -  with those of his battleworn countrymen.  When soldiers of Jojo's country arrive at the orphanage, the plot takes a heartbreaking turn, followed by a disturbing surprise ending.  The author of gives Jojo a consistently simplistic and limited perspective, often with humorous results.  This is a risky technique, but in this case, it's very effective.  Jojo's Story is testimony, not commentary.  There are no monologs, no philosophying.  The world is viewed through the eyes of the story's most important and most vulnerable character.  Readers are left to draw their own conclusions.  This strategy is also effective.  Many times I've had to read a review to understand a story because it is sophisticated or so subtle.  By contrast, the implications of Jojo's Story are immediately recognizable.  We never learn Jojo's nationality, not even his region.  Nor are we offered geographic names or family names.  Jojo represents a multitude of children all over the world and all through history.  This is a powerful, timeless story with universal lessons. It's hard to imagine how the orphan refugee story could be told better.  I wouldn't change one word.  I say this without exaggeration or hesitation:  Jojo's Story is destined to become a classic.  Winner of the 2004 Extensive Reading Foundation award, it deserves both the Pulitzer and Noble prizes.  It is one of the best and most important books of all time, and belongs in every literature, reading, and English classroom in the world  -  indefinitely.

 

  

Cambridge Mystery/Detective Readers:

 

Level 1:

Bad Love

Inspector Logan

John Doe

Blood Diamonds

Don't Stop Now!

Parallel

The Big Picture

 

Level 2:

Apollo's Gold

The Double Bass Mystery

Logan's Choice

A Picture to Remember

 

Level 3:

A Puzzle for Logan

Double Cross

The House by the Sea

The Lahti File

 

Level 4:

But Was It Murder

The Amsterdam Connection

The University Murders

A Matter of Chance

 

Level 5:

In the Shadow of the Mountain

Emergency Murder

A Tangled Web

Death in the Dojo

East 43rd Street

 

Level 6:

Deadly Harvest

He Knows Too Much

This Time It's Personal

Trumpet Voluntarily

 

  

EXPRESS PUBLICATIONS:

 

Graded Readers

Classic Readers

Illustrated Readers

 

A comparatively smaller but good list of titles, including some not so easy to find classics.  At the beginning of each book are portraits of each major character, making it easier to keep track of who's who.  Many full page, color illustrations and several two page spread illustrations.  A chapter by chapter, alphabetized vocabulary list.  The vocabulary list includes word class:  noun, verb, adjective, adverb, phrase, phrasal verb, idiom, expression, pronoun, conjunction, determiner.  Many verbs in the Classic Readers vocabulary list include conjugation.  The activity books for the novels include a glossary in English, Greek, Italian, Polish, Portuguese, Spanish, and Turkish.  The activities for the Classic Readers are at the back of the story.  Express publishes one of my favorite graded readers, Simon Decker and the Secret Formula, an ELT Graded Reader, level 1, by Jenny Dooley.

 

 

BARONET BOOKS:

 

Baronet books are not graded.  Text on the left page, black and white illustrations and accompanying quotes on the right page.  Wordcount is about 12,000.

 

Recommended Baronet Books:

 

Gulliver's Travels

Journey to the Center of the Earth

Treasure Island

Around the World in 80 Days

King Solomon's Mines

War of the Worlds

Moby Dick

Mutiny on the Bounty

The Three Musketeers

Last of the Mohicans

Count of Monte Cristo

King Arthur

Hunchback of Notre Dame

Ivanhoe

Captain Courageous

Robinson Crusoe

Swiss Family Robinson

Robin Hood

Jungle Book

Call of the Wild

White Fang

Black Beauty

Oliver Twist

David Copperfield

Huckleberry Finn

Little Women

Great Expectations

Pride and Prejudice

The Prince and the Pauper

Picture of Dorian Gray

Tale of Two Cities

 

 

HARCOURT SHORT CLASSICS:

 

SET 1:

The Call of the Wild

The Canterbury Tales

Frankenstein

Great Expectations

Gulliver's Travels

Hamlet

Huckleberry Finn

The Hunchback of Notre Dame

The Iliad

Ivanhoe

Jane Eyre

Julius Caesar

Macbeth

A Midsummer Night's Dream

 

SET 2:

Moby Dick

The Odyssey

Pride and Prejudice

The Red Badge of Courage

Romeo and Juliet

A Tale of Two Cities

Sherlock Holmes

The Time Machine

Tom Sawyer

Treasure Island

20,000 Leagues Under the Sea

Wuthering Heights

 

 

OXFORD:

 

Classic Tales

Dolphins
Dominoes
English Today Readers
Hotshot Puzzles
Oxford Bookworms Starters
Oxford Bookworms Library
Oxford Bookworms Factfiles
Oxford Bookworms Playscripts
Oxford Bookworms Collection
Oxford Progressive Readers
Oxford Storyland Readers
Start with English
Storylines

 

OXFORD HOTSHOT PUZZLES

Level 1  -  200 headwords

Level 2  -  300 head words

Level 3  -  400 headwords

Level 4  -  500 headwords

 

OXFORD STORYLINES

Level 1  -  400 headwords

Level 2  -  750 headwords

Level 3  -  1000 headwords

Level 4  -  1250 headwords

 

OXFORD DOMINOES

Starter  -  250 headwords

Level 1  -  400 headwords

Level 2  -  700 headwords

Level 3  -  1000 headwords

 

OXFORD BOOKWORMS LIBRARY

Level 1  -  400 headwords

Level 2  -  700 headwords

Level 3  -  1000 headwords

Level 4  -  1400 headwords

 

OXFORD PROGRESSIVE READERS

Level 2  -  2100 headwords

Level 3  -  3100 headwords

Level 4  -  3700 headwords

Level 5  -  5000 headwords

 

 

GLOBE FEARON:

 

Caught Reading Plus

Pacemaker Classics

Adapted Classics

Globe Masterworks Collection

Fastback Series

Double Fastback Series

Bestellers

Uptown, Downtown

Sportellers

Matchbook Five Minute Thrillers

MC Comics

Hopes and Dreams

Lifetimes

Worktales

An American Family

Amazing Adventures

 

Globe Fearon is a subsidiary of Pearson Education.

 

 

NELSON READERS:

 

Level 1  -  300 headwords

Level 2  -  600 headwords

Level 3  -  1000 headwords

Level 4  -  1500 headwords

Level 5  -  2000 headwords

Level 6  -  2500 headwords

  

 

YORK SIMPLIFIED CLASSICS:

Level 1  -  1200 headwords

Level 2  -  1500 headwords

Level 3  -  2000 headwords

 

 

 

 

SAMPLE BOOK REPORTS

 

Teacher:

This book report was written by an ESL college professor for a reading class.

 

Call of the Wild

by Jack London

 

Buck is a dog who is stolen from his comfortable home in California and taken to Canada, where he must adapt to a harsh new life.

 

In California, the climate is sunny; in Canada, the climate is severely cold, snowy, and icy.   In California, he has one master, who treats him OK; in Canada, he has several masters, some of whom treat him very well and some of whom are abusive and neglectful.  In California, his master has no other dogs; in Canada, his masters have teams of dogs.  In California, he has no responsibilities; in Canada, he must help pull a sleigh.

 

In addition to adapting to all of these things, he later adapts to the wild when he leaves the world of men.

 

Buck learns several lessons as he adapts:  he must survive or die; he must help himself because maybe no one else will help him; if he doesn't cooperate with his masters, he will suffer; if he gets into a fight with another dog, he must kill or be killed; men can cause problems or they can provide solutions.

 

He learns to avoid being beaten with clubs by men.  He learns to be careful of unfriendly and wild dogs.  He learns how to steal food.  He learns how to sleep in the snow.

 

After he kills his chief enemy, who was the lead dog, he also learns to assert himself with men.  They choose another dog as leader, but he insists on being the lead dog.  Eventually they let him be the lead dog and discover that he is the best leader on their team.

 

Buck is willing to live with men, but his deepest desire is to live in the wild.  He has great love for his best master and shows strong loyalty to him by performing heroic feats to save his life and earn him money.  While with this master, he frequently makes trips into the wild, staying longer and longer each time.  During his trips into the wild, he is accepted by a pack of wolves.  When this master dies, Buck is very sad for a while.  But then he hears wolves. 

 

This is where the author gets the title to the story.  The howl of the wolves is the call of the wild.  Finally, Buck is free.

 

 

Student:

 

This is an unedited book report written by a sophomore ESL college student for a reading class.  The outline was suggested by, but not required by, the professor.

  

Summary:  Matty is fifteen and is leaving school in a few weeks time.  He wants to work with animal, and would like to get a job on a farm.  But his parents say he is too young to leave home - he must stay in the town and get a job in ship-building, like his father.  They also say he can't go on a camping holiday with his friends.  And they say he can't keep his dog, Nelson, because Nelson barks all day and eats his father's shoes.

But it is because of Nelson that Matty finds a new life.

 

The Plot:  is very nice and easy, so I could follow easily the plot of this novel.

  

Characters:

 

1)  The main character in the story is a boy his name is Matty and he is fifteen years old, who has a dog his name is Nelson.

2)  The second main character is Nelson, because of Nelson that Matty finds a new life.  Basically, it all began because of Nelson.

3)  Matty's parents, Mr. And Mrs. Doolin, especially his mother Mrs. Doolin, that she pushed Nelson out into the street, so Nelson died because of her, but she didn't mean that, she was angry from Matty because Matty stayed out all day, and the dog was barking for hours while she was waiting for him, so she pushed Nelson out into the street, then the car hit him.

4)  Mr. Funnell.  He was Matty's teacher in the school, but he also helped the children to find jobs when they left school.

5)  Willie and Joe, they are Matty's friends.  Also, the camping holiday was Willies's plan.  He, Matty, and Joe were best friends.

6)  Mr. Walsh, the farmer and Mrs. Walsh and her daughter Jessica, and Mr. Walsh's the two sheep dogs, the bigger dog her name is Betsy and the other one, her son, Prince.

 

Subplots:

 

1)  Staying out all day including the story of Nelson's death.

2)  Going for their first long walk.

3)  The storms story.

4)  The Matty's first real day on a farm.

5)  Matty and Jessica, having a talk in the barn.

6)  The story of Matty and Jessica's adventure on the hills.

 

Action: the action of the story is very interesting and dramatic.  There are six basic actions:

1)  Matty and Nelson

2)  Camping

3)  Blisters and storms

4)  Helping on the farm

5)  A night on the hills

6)  A new life for Matty

 

Themes:

Kindness, love, respect, cooperation, and helping are the main themes of the novel.

  

Moral:

The moral of the story is that if you want something in this life, you have to work to get it.

 

Opinion:

In my opinion, Matty was not young to leave home, because Mr. and Mrs. Walsh will be life second parents to him.  In addition, he will be very happy in his job, because he loves animals and he loves the hills and mountains.  But, I think, at fifteen, nobody really knows what he wants to do.  Also, perhaps Matty will be bore with his job after a few or many years.